This can not only create some really frightening distortion sounds but also feedback loops that have a brilliantly volatile, analogue quality to them, further solidifying Absynth's reputation as one of the most organic of sound design instruments.
Several of Absynth's filters now also feature a feedback loop that enables you to run some of the filtered signal back into the filter's input via a waveshaper, frequency shifter or ring modulator. "Aetherizer is a top-notch effect that broadens the range of sounds you can get from this already hugely versatile synth."Īetherizer's little brother is the Cloud Filter: basically a stripped down and simplified grain effect that can be selected in any filter module - ideal if you want to create granular effects on only one channel of your patch.Įlsewhere in the new filter department, we have the Supercomb: basically a more extreme, intense version of the Comb filter, which excels at creating metallic, harmonic-rich tones. In short, it's a top-notch effect that broadens the range of sounds you can get from this already hugely versatile synth, and it's fantastic as an effect plug-in for external (ie, non-Absynth) signals too. Everything from dense, glitchy sound clouds to long, swirling delay lines are possible, and when the randomise controls and Absynth's famous envelopes are brought into play, things start to get really interesting. What is, on the surface, a simple grain slicer with a couple of delay loops, actually turns out to be an incredible sound design tool. As existing users will know, one of Absynth's major strengths has always been the vast range of sounds you can coax from any one module, and this new one certainly lives up to that standard. The next big new addition is the Aetherizer effect. Speaking of the Browser, a simple set of eight rotaries to dial in basic sound qualities such as distortion, resonance, bass and treble now occupies the bottom part of this tab and provides the most instantly usable addition in this area. In fact, it would be worth it for the addition of a master FX disable switch alone, which is still inexplicably missing from the browser screen (and this despite a Mutate button being added to every one of Absynth's eight tabs, nice touch though that may be).
Ni absynth 5 Patch#
We think that the patch overview box would be put to far better use as a master module activate/deactivate control, so that you could switch modules in and out on the fly - rather than having to dive into the patch screen - as you navigate Absynth's library of dense and complex sounds. While this can certainly help make mutations less unwieldy once you've isolated the correct modules, again, Absynth patches are often so involved that it might take you a few minutes just to work out which modules are doing what, thus defeating the point of a feature that's supposed to allow you to create new sounds "in seconds". You can, however, mutate just a part of your patch The Mutator control features a handy little box that enables you to select which modules you want to mutate and which should be left alone. "Mutator isn't massively useful in practice: mutated patches just aren't nearly as perfectly crafted as the originals."
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